Ruth Brown Say It Again Ruth Brown in the 60s Musicbrainz
| Ruth Chocolate-brown | |
|---|---|
 Brown in 1955 | |
| Background information | |
| Nativity proper noun | Ruth Alston Weston |
| Born | (1928-01-12)January 12, 1928[ane] Portsmouth, Virginia, U.S. |
| Died | November 17, 2006(2006-11-17) (anile 78) Henderson, Nevada, U.Southward. |
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| Years active | 1949–2006 |
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Ruth Alston Dark-brown (née Weston; January 12, 1928[2] [3] [4] – Nov 17, 2006) was an American singer-songwriter and extra, sometimes known as the "Queen of R&B". She was noted for bringing a popular music style to R&B music in a series of hitting songs for Atlantic Records in the 1950s, such as "So Long", "Teardrops from My Optics" and "(Mama) He Treats Your Daughter Mean".[5] For these contributions, Atlantic became known as "the house that Ruth congenital"[half dozen] [7] (alluding to the popular nickname for the old Yankee Stadium).[eight] Chocolate-brown was a 1993 inductee into the Rock and Scroll Hall of Fame.
Following a resurgence that began in the mid-1970s and peaked in the 1980s, Brown used her influence to press for musicians' rights regarding royalties and contracts; these efforts led to the founding of the Rhythm and Blues Foundation.[ix] Her performances in the Broadway musical Black and Blue earned Dark-brown a Tony Honor, and the original bandage recording won a Grammy Laurels.[ten] [11] Brownish was a recipient of the Grammy Lifetime Accomplishment Award in 2016.[12] In 2017, Brownish was inducted into National Rhythm & Blues Hall of Fame.[xiii] She is too the aunt to legendary hip hop MC Rakim.
Early life [edit]
Born in Portsmouth, Virginia, Brown was the eldest of seven siblings.[14] She attended I. C. Norcom Loftier School. Dark-brown'south father was a dockhand. He also directed the local church choir at Emmanuel African Methodist Episcopal Church, only the immature Ruth showed more interest in singing at USO shows and nightclubs, rebelling against her father.[15] She was inspired by Sarah Vaughan, Billie Holiday, and Dinah Washington.[xvi]
In 1945, aged 17, Brown ran away from her home in Portsmouth forth with the trumpeter Jimmy Brown, whom she shortly married, to sing in bars and clubs. She then spent a month with Lucky Millinder'south orchestra.[5]
Early career [edit]
Blanche Calloway, Cab Calloway's sis, too a bandleader, arranged a gig for Brown at the Crystal Caverns, a nightclub in Washington, D.C., and soon became her manager. Willis Conover, the future Vocalisation of America disc jockey, caught her act with Duke Ellington and recommended her to Atlantic Records bosses Ahmet Ertegun and Herb Abramson. Brownish was unable to audition as planned considering of a car crash, which resulted in a 9-month stay in the hospital. She signed with Atlantic Records from her hospital bed.[17]
In 1948, Ertegun and Abramson drove from New York City to Washington, D.C., to hear Chocolate-brown sing. Her repertoire was mostly pop ballads, but Ertegun convinced her to switch to rhythm and blues.[18]
In her offset audition, in 1949, she sang "And then Long," which became a hit. This was followed by "Teardrops from My Optics" in 1950. Written by Rudy Toombs, it was the kickoff upbeat major hit for Brownish. Recorded for Atlantic Records in New York City in September 1950 and released in Oct, information technology was Billboard'southward R&B number ane for 11 weeks. The hit earned her the nickname "Miss Rhythm", and within a few months, she became the acknowledged queen of R&B.[19]
She followed upwardly this hit with "I'll Look for You" (1951), "I Know" (1951), "5-10-xv Hours" (1953), "(Mama) He Treats Your Daughter Mean" (1953), "Oh What a Dream" (1954),[18] "Mambo Baby" (1954), and "Don't Deceive Me" (1960), some of which were credited to Ruth Brownish and the Rhythm Makers. Between 1949 and 1955, her records stayed on the R&B chart for a total of 149 weeks; she would continue to score 21 Top 10 hits altogether, including five that landed at number one. Brown ranked No. 1 on The Billboard 1954 Disk Jockey Poll for Favorite R&B Artists.[twenty]
Brown played many racially segregated dances in the southern states, where she toured extensively and was immensely popular. She claimed that a author had one time summed up her popularity past maxim, "In the South, Ruth Brown is better known than Coca-Cola."[21]
Brown performed at the famed tenth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles, which was produced by Leon Hefflin, Sr. on June 20, 1954. She performed forth with The Flairs, Count Basie and his Orchestra, Lamp Lighters, Louis Jordan and His Tympany Five, Christine Kittrell, and Perez Prado and his Orchestra.[22]
Her first pop striking came with "Lucky Lips", a song written by Jerry Leiber and Mike Stoller and recorded in 1957. The single reached number 6 on the R&B chart and number 25 on the U.Southward. popular chart.[23] The 1958 follow-up was "This Fiddling Daughter's Gone Rockin'", written past Bobby Darin and Mann Curtis. It reached number seven on the R&B chart and number 24 on the pop chart.[24]
She had further hits with "I Don't Know" in 1959 and "Don't Deceive Me" in 1960, which were more successful on the R&B chart than on the pop chart. In 1965 she appeared as a invitee on Tv set Gospel Time. During the 1960s, Brown faded from public view and lived as a housewife and mother.
Later career [edit]
She returned to music in 1975 at the urging of the comedian Redd Foxx, followed past a serial of comedic interim jobs. This launched her career in Boob tube, picture, and stage. She had a recurring role during the second flavour of the sitcom Hello, Larry every bit the neighbour, Leona Wilson. She starred as Motormouth Maybelle Stubbs, a friendly and stiff-willed tape promoter and mother of Seaweed and 50'il Inez, in the John Waters cult classic motion-picture show Hairspray. On Broadway, she starred in productions of Amen Corner and Blackness and Blue. The latter earned her a Tony Laurels for Best Actress in a Musical in 1989.[25] The New York Times theater critic Frank Rich wrote, "Ruth Chocolate-brown, the rhythm-and-blues chanteuse, applies sarcastic varnish and two-a-day burlesque timing to the ribald Andy Razaf lyrics of 'If I Can't Sell Information technology, I'll Keep Sittin' on It.'"[26]
Brownish's fight for musicians' rights and royalties in 1987 led to the founding of the Rhythm and Blues Foundation in 1988.[27] She was 1 of the first recipients of the Pioneer Award in 1989.[28] In 1989, she released an anthology, "Dejection and Broadway," which won a Grammy for best jazz vocal performance, female.[26] She was inducted into the Oklahoma Jazz Hall of Fame in 1992 and the Rock and Ringlet Hall of Fame in 1993.[29] [xxx]
Chocolate-brown recorded and sang with the rhythm-and-blues vocalizer Charles Brown. She likewise toured with Bonnie Raitt in the late 1990s. Her 1995 autobiography, Miss Rhythm,[31] won the Gleason Honour for music journalism.[27] She likewise appeared on Bonnie Raitt's 1995 alive DVD Route Tested, singing "Never Make Your Move Too Before long".[32] She was nominated for another Grammy in the Traditional Blues category for her 1997 anthology, R + B = Ruth Brownish. In the 2000 television miniseries Little Richard, she was portrayed by singer Tressa Thomas.
She hosted the radio plan Dejection Stage, carried by more than 200 NPR affiliates, for half dozen years, starting in 1989.[33]
Brown was notwithstanding touring at the age of 78.[17] She had completed preproduction work on the Danny Glover film, Honeydripper, which she did non alive to finish. However, her recording of "Things About Comin' My Way" was released posthumously on the soundtrack CD. Her concluding interview was in Baronial 2006.[34]
Death [edit]
Brown died in a Las Vegas–surface area infirmary on November 17, 2006, from complications following a heart assail and stroke she suffered afterwards surgery in the previous month. She was 78 years quondam.[35] A memorial concert for her was held on January 22, 2007, at the Abyssinian Baptist Church in Harlem, New York.[36]
Dark-brown is buried at Roosevelt Memorial Park, Chesapeake City, Virginia.[37]
Accolades [edit]
| Year | Accolade | Category | Piece of work | Result | Ref. |
|---|---|---|---|---|---|
| 1969 | Grammy Award | Best Female R&B Vocal Performance | "Yesterday" | Nominated | [11] |
| 1989 | Grammy Award | Best Jazz Vocal Performance, Female | Blues on Broadway | Won | |
| All-time Traditional Blues Album | "If I Can't Sell Information technology, I'll Keep Sittin' on It" | Nominated | |||
| Tony Award | Best Extra in a Musical | Blackness and Blue | Won | [10] | |
| 1990 | Grammy Honor | All-time Traditional Blues Album | "T'own't Nobody'south Bizness If I Do" | Nominated | [11] |
| 1997 | Grammy Award | R + B = Ruth Brown | Nominated | ||
| 1999 | Grammy Award | A Adieu for the Blues | Nominated |
She also received the following honors:
- 1989: Rhythm & Blues Foundation Pioneer Laurels[28]
- 1992: Inducted into the Oklahoma Jazz Hall of Fame[38]
- 1993: Inducted into the Rock & Roll Hall of Fame[28]
- 1996: Ralph Gleason Honor for Music Journalism[27]
- 2013: Inducted into the Virginia Musical Museum'south Virginia Music Hall of Fame[39]
- 2016: Grammy Lifetime Achievement Award[12]
- 2017: Inducted into National Rhythm & Dejection Hall of Fame[13]
Discography [edit]
Studio albums [edit]
- Rock & Coil (Atlantic, 1957)
- Miss Rhythm (Atlantic, 1959)
- Late Date with Ruth Brown (Atlantic, 1959)
- Along Comes Ruth (Philips, 1962)
- Gospel Time (Philips, 1962)
- Ruth Brown '65 (Mainstream, 1965)
- Blackness Is Dark-brown and Brown Is Cute (Skye, 1969)
- The Real Ruth Brown (Cobblestone/Buddah, 1972)
- Sugar Babe (President, 1976), re-issued in 1985 every bit Brown Sugar
- You Don't Know Me (Dobre, 1978)
- Blues on Broadway (Fantasy, 1989)
- Brown, Blackness & Beautiful (SDEG/Ichiban, 1990)
- Fine and Mellow (Fantasy, 1991)
- The Songs of My Life (Fantasy, 1993)
- R + B = Ruth Brown (Bullseye Dejection, 1997)
- A Cheerio for the Blues (Bullseye Blues, 1999)
Live albums [edit]
- The Soul Survives (Flair, 1982)
- Takin' Intendance of Business (Stockholm, 1983)
- Have a Good Time (Fantasy, 1988)
- Live in London (Jazz Firm, 1995)
Compilations [edit]
- The Best of Ruth Brown (Atlantic, 1962)
- Miss Rhythm (Greatest Hits And More) (Atlantic, 1989)
Every bit guest [edit]
With Thad Jones and Mel Lewis
- The Big Band Audio of Thad Jones/Mel Lewis Featuring Miss Ruth Brown (Solid State, 1968)
With Benny Carter
- Benny Carter Songbook (MusicMasters, 1996)
- Benny Carter Songbook Volume II (MusicMasters, 1997)
Singles [edit]
| Year | Titles (A-side, B-side) Both sides from same album except where indicated | Peak chart positions | Anthology | |
|---|---|---|---|---|
| United states of america R&B | US Pop | |||
| 1949 | "So Long" b/westward "It's Raining" (non-album rails) | 4 | — | Rock & Roll |
| "I'll Get Along Somehow" (Part 1) b/west Part two | — | — | Non-anthology tracks | |
| 1950 | "Happiness Is a Thing Called Joe" b/due west "Love Me Infant" | — | — | |
| "Why" b/due west "(I'll Come Back) Someday" | — | — | ||
| "Sentimental Journey" b/w "I Tin can Dream Can't I" (from Tardily Engagement with Ruth Brownish) | — | — | Rock & Roll | |
| The 2 preceding singles are with the Delta Rhythm Boys. | ||||
| "Where Tin I Go" b/w "Dear Little Boy of Mine" | — | — | Non-album tracks | |
| "Teardrops from My Optics" b/westward "Am I Making the Same Mistake Again" (not-album track) | 1 | — | Rock & Whorl | |
| 1951 | "I'll Wait for You" b/due west "Standing on the Corner" | iii | — | Non-album tracks |
| "I Know" b/west "Don't Want Nobody (If I Can't Have Yous)" | 7 | — | ||
| "Smooth On (Big Brilliant Moon, Shine On)" b/w "Without My Honey" (non-album track) | — | — | The Best of Ruth Brownish | |
| 1952 | "5-ten-xv Hours" b/due west "Be Anything (But Be Mine)" (non-album track) | 1 | — | Rock & Roll |
| "Daddy Daddy" b/w "Accept a Adept Fourth dimension" (not-album rails) | 3 | — | ||
| "Expert for Nothin' Joe" b/west "Three Letters" | — | — | Non-album tracks | |
| 1953 | "(Mama) He Treats Your Girl Hateful" b/w "R.B. Blues" (non-album track) | 1 | 23 | Rock & Roll |
| "Wild, Wild Young Men" / | iii | — | ||
| "Mend Your Ways" | 7 | — | Non-album tracks | |
| "The Tears Keep Tumbling Downward" b/w "I Would If I Could" | — | — | ||
| 1954 | "Love Competition" b/west "If You Don't Desire Me" | — | — | |
| "Sentimental Journey" b/w "Information technology's All in Your Mind" (both sides with the Delta Rhythm Boys) | — | — | ||
| "Hello Little Boy" b/due west "If I Had Any Sense" | — | — | ||
| "Oh What a Dream" b/w "Please Don't Freeze" (from The Best of Ruth Brown) | 1 | — | Stone & Ringlet | |
| "Mambo Infant" b/w "Somebody Touched Me" (from Miss Rhythm) | 1 | — | ||
| 1955 | "Equally Long As I'm Moving" / | four | — | |
| "I Can See Everybody'southward Baby" | vii | — | Miss Rhythm | |
| "Farewell Bye Young Men" b/w "Ever Since My Baby'south Been Gone" (non-album rails) | 13 | — | The Best of Ruth Brown | |
| The preceding v singles are with the Rhythmakers (the Drifters). | ||||
| "It's Dearest Baby (24 Hours of the Day)" b/due west "What'd I Say" (non-album track) | iv | — | Rock & Coil | |
| "Beloved Has Joined Us Together" b/w "I Gotta Accept You" (both sides with Clyde McPhatter) | 8 | — | Non-album tracks | |
| 1956 | "I Want to Do More" b/w "Old Man River" (from Stone & Roll) (both sides with the Rhythmakers [the Drifters]) | 3 | — | |
| "Sweet Baby of Mine" b/due west "I'1000 Getting Right" | 10 | — | ||
| "Mom Oh Mom" b/westward "I Want to Exist Loved" | — | — | ||
| "I Still Love You" b/w "Smooth Operator" | — | — | ||
| 1957 | "Lucky Lips" b/westward "My Eye Is Breaking Over You lot" (non-album track) | 6 | 25 | Rock & Curlicue |
| "One More than Time" b/due west "When I Get You Baby" | — | — | Miss Rhythm | |
| "Bear witness Me" b/w "I Hope We Meet (On the Road Someday)" | — | — | ||
| "A New Beloved" b/w "Await Me Upwardly" | — | — | Non-album tracks | |
| 1958 | "Simply Besides Much b/w "Book of Lies" | — | — | Miss Rhythm |
| "This Little Girl'south Gone Rockin'" / | 7 | 24 | ||
| "Why Me" | 17 | — | ||
| "(Mama) He Treats Your Girl Mean" b/w "I'll Step Aside" (non-anthology runway) | — | — | (these are re-makes) | |
| "v-10-fifteen Hours" b/w "Itty Fragmentary Girl" (non-album track) | — | — | ||
| 1959 | "I Don't Know" b/w "Papa Daddy" (not-album rail) | 5 | 64 | The Best of Ruth Chocolate-brown |
| "Jack O'Diamonds" b/west "I Can't Hear a Word You Say" | 23 | 96 | Miss Rhythm | |
| "Don't Deceive Me" b/w "I Burned Your Letter" | 10 | 62 | Not-anthology tracks | |
| "What I Wouldn't Give" b/w "The Door Is Nonetheless Open" | — | — | ||
| 1960 | "Taking Care of Business" b/w "Beloved Boy" (non-album track) | — | — | The All-time of Ruth Brown |
| "Sure 'Nuff" b/w "Here He Comes" | — | — | Not-album tracks | |
| 1961 | "Anyone But Yous" b/w "It Tears Me All to Pieces" | — | — | |
| "Walkin' and Talkin'" b/west "Hoopa-Loopa-Doopa" (shown as past "Venus") | — | — | ||
| 1962 | "Shake a Mitt" b/due west "Say It Again" (not-album rails) | — | 97 | Forth Comes Ruth |
| "Mama, He Treats Your Daughter Mean" b/w "Hold My Hand" (non-album track) | — | 99 | ||
| "He Tells Me with His Eyes" b/west "If You lot Don't Tell Nobody" | — | — | Non-anthology tracks | |
| 1963 | "Hugger-mugger Honey" b/westward "Time After Time" | — | — | |
| 1964 | "What Happened to Yous" b/westward "Yes Sir That's My Baby" | — | — | |
| "I Love Him and I Know It" b/westward "Come a Petty Closer" | — | — | ||
| "Hurry On Down" b/w "On the Good Ship Lollipop" | — | — | Ruth Brownish '65 | |
| 1968 | "Yous're a Rock Swell Affair" b/w "Anytime (I Know, I Know) | — | — | Not-album tracks |
| 1969 | "Yesterday" b/w "Try Me and Run across" | — | — | Blackness Is Dark-brown and Brown Is Beautiful |
| 1989 | "If I Tin can't Sell It, I'll Keep Sittin' on It" b/w "Good Morning time Heartache" | — | — | Blues on Broadway |
References [edit]
- ^ Obituary. The New York Times, November xviii, 2006. Retrieved Jan 29, 2016.
- ^ Dates of birth and death. Expiry-records.mooseroots.com. Accessed January 29, 2016.
- ^ Contour with dates of birth and death. Biography.com. Accessed January 29, 2016.
- ^ Obituary. Washingtonpost.com. Accessed January 29, 2016.
- ^ a b Russell, Tony (1997). The Dejection: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 96. ISBNone-85868-255-X.
- ^ Dahl, Beak. "Ruth Brown: Music Biography, Credits and Discography". AllMusic . Retrieved March 18, 2013.
- ^ Gulla, Bob (2008). Icons of R&B and Soul . ABC-CLIO. p. 76. ISBN9780313340451 . Retrieved September 7, 2015.
- ^ Miller, Michael (July 1, 2008). The Consummate Idiot'south Guide to Music History: From Pre-Celebrated Africa to Classical Europe to American Popular Music. Penguin. ISBN9781440636370 . Retrieved July 22, 2021 – via Google Books.
- ^ Heatley, Michael (2007). The Definitive Illustrated Encyclopedia of Stone. London: Star Fire. ISBN978-1-84451-996-five.
- ^ a b "Tony Winner and R&B; Pioneer Ruth Dark-brown Dies at Age 78". Broadway.com. Nov 20, 2006.
- ^ a b c "Ruth Brown". Recording Academy Grammy Awards.
- ^ a b Mcphate, Tim (May xv, 2017). "Special Merit Awards to honor 2016 form". Recording Academy Grammy Awards.
- ^ a b "Inductees". National Rhythm & Blues Hall of Fame.
- ^ Bernstein, Adam (Nov 18, 2006). "Ruth Chocolate-brown, 78; R&B Vocalizer Championed Musicians' Rights". The Washington Post . Retrieved March ix, 2013.
- ^ "Ruth Brown – Singer, Theater Actress". Retrieved Feb 10, 2019.
- ^ Bogdanov, et al. All Music Guide to the Dejection: The Definitive Guide to the Blues p. 79. Backbeat Books. ISBN 0-87930-736-6.
- ^ a b "Suzi Quatro'southward Pioneers of Rock: Ruth Chocolate-brown". BBC Radio two. Feb nine, 2012. Retrieved March 17, 2013.
- ^ a b Gilliland, John (1969). "Show three – The Tribal Drum: The Rise of Rhythm and Dejection. [Office 1]" (audio). Pop Chronicles. University of Northward Texas Libraries.
- ^ Dawson, Jim; Propes, Steve (1992). What Was the First Stone'n'Ringlet Record. Boston & London: Faber & Faber. ISBN0-571-12939-0.
- ^ "The Billboard 1954 Disk Jockey Poll: R&B Favorites...Artists" (PDF). Billboard. November 13, 1954. p. 96.
- ^ Richardson, Perry, ed. (2001). "What'd I say?" : the Atlantic story : 50 years of music. New York: Welcome Rain Publishers. p. 59. ISBN1-56649-048-0. OCLC 47234086.
- ^ "10th Annual Cavalcade Offering Finest Variety At Wrigley Field June 20" Article The California Eagle June ii, 1954.
- ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 54.
- ^ Rockin' with Ruth by Ruth Brown. Pop Music, Vol. 5, Continuity and Change (1985), pp. 225–234.
- ^ "Tony Winner and R&B; Pioneer Ruth Brown Dies at Age 78". Broadway.com . Retrieved July 22, 2021.
- ^ a b Simonson, Robert (November 20, 2006). "Playbill". Playbill.com.
- ^ a b c Selke, Lori (Oct 23, 2017). "Forebears: Ruth Brown, The Fabulous Miss Rhythm". NPR.
- ^ a b c Morris, Chris (November xx, 2006). "'Miss Rhythm' Ruth Chocolate-brown dies". The Hollywood Reporter.
- ^ "Inductees". Oklahoma Jazz Hall of Fame . Retrieved May 20, 2020.
- ^ "Ruth Dark-brown". rockhall.com. Rock & Roll Hall of Fame. 1993. Retrieved May xx, 2020.
- ^ Chocolate-brown, Ruth; Yule, Andrew (1996). Miss Rhythm.
- ^ Ruhlmann, William (November 7, 1995). "Road Tested – Bonnie Raitt: Songs, Reviews, Credits, Awards". AllMusic . Retrieved March 18, 2013.
- ^ "Felix Hernandez". Wbgo.org. Retrieved September seven, 2015.
- ^ Rice, Randy (August 29, 2006). "Interview: Miss Ruth Brownish: Improve Late, Than Never". broadwayworld.com. Retrieved August xx, 2013.
- ^ Observe of death of Ruth Chocolate-brown, broadwayworld.com; accessed June 17, 2014.
- ^ "Tribute to a Blueswoman". The New York Times. January 23, 2007. Retrieved March 29, 2022.
- ^ Wilson, Scott (August xix, 2016). Resting Places: The Burying Sites of More Than 14,000 Famous Persons, 3d ed. McFarland. p. 95. ISBN9781476625997 . Retrieved April 29, 2019 – via Google Books.
- ^ "Ruth Chocolate-brown". Oklahoma Jazz Music Hall of Fame.
- ^ "Virginia Music Hall of Fame Inductees". Virginia Musical Museum . Retrieved October xx, 2020.
External links [edit]
Source: https://en.wikipedia.org/wiki/Ruth_Brown
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